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Baby Got Back Talk - New EP 'Existential Shred' this summer

Baby Got Back Talk
Baby Got Back Talk

New school pop punkers Baby Got Back Talk have announced their signing to Wiretap Records along with plans to release a new EP, 'Existential Shred', this summer 2022.

Vocalist/bassist G’Ra Asim says, “As the D-I-why?-because-we-gotta punk party known as Baby Got Back Talk goes, the medium is the message. The four of us think of our project as a Mom and Pop Punk band. Which makes linking up with Wiretap Records a whole vibe, since (Wiretap Records owner) Rob (Castellon's) hustle and social consciousness are a perfect match for our own. Our forthcoming EP, 'Existential Shred,' is a bold new chapter in the band’s story and we’re stoked to release it on such a rad and forward-thinking label. Shout to queer punx and punx of color worldwide—this is for you. Only herbs will miss it.”

To coincide with the signing news, the paperback edition of G’Ra's first book, Boyz n the Void: a mixtape to my brother, will be released on May 10 through Beacon Press. With each chapter anchored by a song on a mixtape, the nonfiction book explores race, gender, class and sexuality as they pertain to punk rock and straight-edge culture.


About Baby Got Back Talk

Baby Got Back Talk is a D-I-why?-because-we-gotta punk party from New York City. The band teamed with producer John Naclerio (Just Surrender, The Audition) at Nada Recording Studios for their latest EP, 'Existential Shred' due out later this Summer 2022 on Wiretap Records.

Formed in 2017, Baby Got Back Talk initially consisted of vocalist/bassist G’Ra Asim, synth op/vocalist Rhiana Hernandez, and lead guitarist/vocalist Jake Lazaroff. After years of sharing bills with local compatriots like Choked Up, Universe Ignore Her and Gibbons-- acts that were all anchored by the propulsive stick work of drummer Wes Ruiz-- Baby Got Back Talk welcomed Ruiz into the fold.

"We’re what punk looks like in the 2020s: driven by a DIY ethic, conversant with social issues--especially as they pertain to gender and race, enabled by inter-web, bankrolled by day jobs, powered by a rad likeminded community, resonant with the most venerable iterations of rock ‘n’ roll but firmly committed to injecting some new flavor into the mold."

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